“Joan Didion: Staking Out California,” by Michiko Kakutani (1979) Below, a map to the music, movies, and literature that influenced, and is referenced in, the film. Gerwig appears to have such a talent for drudging up these cultural fixtures that she’s even managed to revive interest in at least one irredeemable ’90s jam band. But the cultural accessories that fill each scene-the Bikini Kill poster above Lady Bird’s bed, the striped Gap sweaters worn by Lady Bird and her classmates, the round-the-clock television coverage of the Iraq War-illustrate the social, aesthetic, and political influences of an era that modern technology has made feel much longer ago than it actually was. “Lady Bird,” says is only interesting because it’s a palindrome. The movie begins in 2002, a year that Christine, a.k.a. But in addition to bringing a local’s touch to the set, Gerwig is also meticulous in portraying a cultural environment that reflected the puka-shell-rich experience of a rebellious theater nerd growing up in the early aughts. The coming-of-age film about a high school senior (Saoirse Ronan) with pink hair, boy problems, and a biting wit is replete with adoring golden-hour stills of city fixtures like the Tower Bridge and Thrift Town. Greta Gerwig has described her charming solo directorial debut, Lady Bird, as a “love letter” to her hometown of Sacramento, and it’s not hard to see why.
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